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COVID-19 Coronavirus Notice

Updated 2 July 2020

If you are reading this message, please be aware of travel restrictions in place as part of measures to contain the spread of the COVID-19 "Coronavirus" and its symptoms. Japanese authorities are refusing entry to individuals from, or who have been to, a list of over 100 countries (More information). All other visitors must apply for a visa, and undergo a quarantine upon entering the country. Within the Japan, there are no longer any travel restrictions, and most public attractions have re-opened with precautions for sanitation and social distancing. In short, travel to Japan is not recommended at this time, until the situation normalises. I will not be editing my individual articles to reflect this, but again, please keep this in mind when reading them.

Monday, July 31, 2017

Gion Walk

This article is based on a visit made on Friday, 18 November 2016.

Previously on Sekai Ichi, I visited multiple spots in a whirlwind tour of Kyoto.  I wrapped up my day-trip  with an evening stroll around the Gion (祇園, lit. 'peaceful park') district.  Gion is the most famous of Kyoto's five hanamachi (花街, lit. 'flower village'), or geisha communities.  Geisha, technically known by Kyotoites as "geiko" (芸子, lit. 'child of the arts'), are women who host private parties and banquets with performances in various traditional arts.

Gion is a collection of neighbourhoods on the east bank of the Kamo river, and to the west of Yasaka Shrine.  In fact, before the rise of the geisha culture in the 1700s, Gion grew up to support travellers to the shrine.  I started my modern-day pilgrimage from Gion-Shijo Station, on the Keihan Main Line, and focused my attention on the two main areas of the Gion district: the Shirakawa canal, and Hanami-koji street.

Standing right outside of Gion-Shijo Station, the Minami-za (京都四條南座, Kyōto Shijō Minami-za) theatre is Kyoto's major Kabuki theatre.  Minami-za was first established in the early 1600s.  The current building dates back to 1929, while the interior was renovated in 1991.  At the time of my visit, the theatre was closed again for even more renovations, of the earthquake-proofing kind.  As of November 2018, it has since been re-opened for performances.


Shirakawa (祇園白川, Gion Shirakawa, lit. 'white river') is the name of a canal running along the street, and subsequently the name of the neighbourhood surrounding it.  It is not as well known as Hanami-koji, which we will see below, but is quieter for it, allowing one to better appreciate the atmosphere of the place.

Some of the buildings along Shirakawa have their backs to the river.  In the old days, when houses were taxed based on how much space they took up on the front street side, these kinds of houses and shops were relatively narrow (5-6 metres / 16-20 feet across), but deeper (20 metres / 65 feet back) to make up for it.

The other, bigger, draw to the Gion district is Hanami-koji (花見小路, lit. 'little flower-viewing road') lane.  This street, running north-south between Shijo-dori and Kennin-ji temple, is lined with teahouses and restaurants.  While I did not myself, it is possible you might see a geisha or two walking about.  If you chance upon one and wish to take their picture, please do so politely.  In recent times they have made complaints about tourists hounding them like paparazzi, and besides, odds are they have an appointment to get to anyway.

In contrast to the main drag, filled with people scurrying to and from their dining establishments, and even a couple of cars sharing the road, side alleys like these were deserted.

Many restaurants in the Gion areas specialise in kaiseki ryori (懐石料理, kaiseki-ryōri), a style of haute cuisine consisting of many small but specialised dishes.  Kaiseki ryori restaurants can be found all over Japan, but in Kyoto specifically, it has been perfected to an art form.  Some of these restaurants are so expensive and exclusive that new customers are not accepted, unless referred by an existing one!  Needless to say, I did not have dinner at those kinds of places.

Here is a closeup of the lantern in front of the above establishment.

Finally, as I queued up for the bus at the Gion stop, situated in front of Yasaka Shrine, I noticed this contraption.  Since buses are a major part of transportation within Kyoto, some stops have mechanical display boards which show when a bus is approaching, based on when it has passed one of its three previous stops.  This isn't the clearest indicator of how soon a bus is approaching, since they can be held up by traffic signals or... just plain traffic.  You also have to be aware of whether or not a bus is headed where you need to go, and since not all its destinations are listed in English, it would help to recognise some of these places by their Japanese names.  Still, I haven't seen anything like this, so call me impressed!

To close out, one of the best tourist attractions in the Gion district is the Gion Corner, a theatre which puts on twice-nightly demonstrations of various Japanese traditional arts, including geisha dances.  It is located at the south end of Hanamikoji-dori.  I didn't have time to check it out this time, but I got  to see on my next visit; you may read my report on the Gion Corner show here.  Until then, look forward to a visit to one of Japan's most famous castles, plus more Know Your Trains, next time on Sekai Ichi!


Access: From Kyoto Station, take bus #86 (stand D2), #100 (D1), #110 (D1), or #206 (D2) to the Gion bus stop (20 minutes, ¥230).  The area is also served by Gion-Shijo station on the Keihan Main Line (KH), and Kawaramachi Station on the Hankyu Kyoto (HK) line.

Minami-za Theatre

Hours: Visit their website for showtimes.

Address: 198 Nakano-chō, Higashiyama-ku, Kyōto-shi, Kyōto-fu 〒605-0075

Access: Located across the street from Gion-Shijo Station, exit 7.

Website: (English) (Japanese)

Gion Corner

Hours: Performances start at 6:00 PM and 7:00 PM every day.  From December to mid-March, they are held only on weekends and holidays.

Costs: ¥3,150.

Address: Yasaka Hall, 570-2 Gionmachi Minamigawa, Higashiyama-ku, Kyōto-shi, Kyōto-fu 〒605-0074

Access: Located at the far end of Hanamikoji-dori, on the left side.  It takes about 7 minutes to walk there from either the Gion bus stop or Gion-Shijo Station, or 10 minutes from Kawaramachi Station.

Website: (English) (English)

Monday, July 24, 2017

Fushimi Inari Taisha

This article is based on a visit made on Friday, 18 November 2016.

Edit 7 October 2019: Updated prices to reflect the increase in Japan's national sales tax.

Do you know what a torii (鳥居, lit. 'bird home') gate is?  It is a type of gate which stands at the entrances of Shinto shrines and some Buddhist temples in Japan.  Their purpose is to mark the boundary between the "impure" outside world and the "pure" shrine grounds.  They are so prevalent throughout Japan that they have become an iconic... icon of the country.  And if you want to see them for yourself, there is no better place than Fushimi Inari Shrine (伏見稲荷大社, Fushimi Inari-taisha) in southeastern Kyoto.

There are two train stations near the shrine, and even they get into the torii spirit with their decor.  This is where I came in from, Fushimi Inari station on the Keihan Main line.  From here, it is about five minutes on foot to the shrine grounds.

Inari Station, on the JR Nara line, is even closer.  Unlike the Keihan line, this line provides direct access to Kyoto Station.  The trip from Kyoto Station is short and cheap, and if you have a Japan Rail Pass, you can ride for free!  You can see for yourself under the "Access" section at the end of this article.

The shrine grounds start at the base of Mt. Inari (稲荷山, Inari-san), with a complex of all the usual buildings to be found in a Shinto shrine, all beautifully painted in orange, white, and a little green.  These are all well and nice, but I assume you're here to walk among the tunnels of torii.  If that's the case, then this map shows what you can expect.  All the torii are lined up along paths that wind up the mountain.  You can hike all the way up to the top of the mountain in one to two hours.  However, most people make do with going as far as the Yotsutsuji (四つ辻) intersection, which is only a half-hour up and offers wide views across the city.  I thought it would be a lovely place to watch the sunset from, so that was my goal.

The journey uphill starts to the left of the main hall, through this one giant torii flanked by two stone foxes.  Foxes are, in Shinto lore, the messengers of Inari (稲荷大神, Inari-Ōkami), the god of fertility, farming, industry, and business.  In fact, Fushimi Inari-taisha is the head of all Inari shrines in Japan.  Inari shrines are the most numerous variety of Shinto shrines, followed by Hachiman shrines.

Even the ema plaques are fox-shaped, enticing some worshipers to add their own cute faces to them.

Early on up the road, the path splits into two lanes, under series of torii that are so dense, they appear to form solid tunnels.  The density of torii is such that this section is colloquially known as the Senbon torii (千本鳥居), or "one thousand torii".  Across all of the paths, meanwhile, there are closer to ten thousand of them in total!

As you can see in the last few pictures before this, the crowds were such that taking a picture of some torii without anybody else in the frame was impossible at some points.  But, I managed to find some spots all to myself, here and there.

All those torii were paid for by donations to the shrine from individuals and businesses, because capitalism.  As you can see by this chart, there are various sizes and costs for planting a torii in your name.  The largest varieties of torii on sale go for over 1.3 million yen (US$11,500).  That's no small investment, but less than I would have expected, honestly.

There's more to these trails than just torii.  Along the way are several miniature shrines and monuments, some of which are adorned with miniature torii to boot.  Okay, so I can't get away from those things entirely, but at least now the orange is broken up with some mossy greys, and even a few rainbow-patterned decorations.  With the thinner crowds and waning daylight, these corners took on a spooky yet serene atmosphere.

There are even a few natural features, such as this pond, which serve as natural landmarks for hikers heading up Mt. Inari.  But they didn't help me that much, because unfortunately... this was as far as I got.  Somehow, I kind of got lost and had to turn around before I could make it to my destination.

Instead of watching the sunset from the viewpoint halfway up the mountain, as I had intended, I wound up turning back and taking this shot from the base, in front of the main shrine complex.  Not sure if I would have made it in time anyway; the light was fading faster than my camera let on, somehow.

On the bright side, I did meet this trio of pretty ladies from Australia and Canada, and struck up a conversation with them.  Two of them were doing temporary jobs as English teachers, and the other was just a friend tagging along for a visit.  Teaching English in Japanese schools is a popular employment choice for those who wish to stay in the country long-term.  There's even a webcomic, called "Let's Speak English", which is based the author's own experiences as an English teacher in Japan.

And as for me?  I might like to do it some day, but it's a lot to think about.  In the meantime, I guess I'll settle for another selfie sign-off.  Next time on Sekai Ichi: the Gion district!


Hours: Open 24 hours.  No regular closing days.

Costs: Free.

Address: 68 Fukakusa Yabunouchi-chō, Fushimi-ku, Kyōto-shi, Kyōto-fu 〒612-0822

Access: The entrance to Fushimi Inari Shrine is 2 minutes on foot from Inari Station (JR Nara (D) line), and 5 minutes from Fushimi Inari Station (Keihan Main (KH) line).

From Kyoto Station, take the JR Nara line to Inari (D03, 5 minutes, ¥150, JR Pass OK), or take bus #105 or #南5 (both from stand C4) to Inari Taisha-mae (15 minutes, ¥230).

Directions: From Inari Station (JR), simply walk straight out of the exit.  The entrance to the shrine is across the street.

From Fushimi Inari Station (Keihan), turn left out of the exit; there will be a sign at the exit to point the way.  You will cross a bridge and eventually reach a stone torii gate; pass under it and bear right to reach the shrine.

Website: (English) (Japanese)